Recent bombardment of work left me tired and double visioned. Try as I might to concentrate, my attention started to drift, my eyelids felt increasingly heavy, and my fingers froze on keyboard. So to wake myself up, short of slapping myself in the face every few minutes, I resorted to listening to some of my favorite oldies while I read through thousands of pages of technical materials. If my head bobs, it’s definitely not because I’m sleeping in front of the computer. Here are my Top 5 Work Songs:
No. 1 on this list is Mayday’s “don’ts don’ts” (五月天-傷心的人別聽慢歌). Their catchy lyrics and fast beats improves motor reflexes, which in turn makes repetitive work less tedious.
The first 3 episodes of KO ONE: RE-CALL (終極一班5) ain’t so bad. They got the right level of humor, solid fighting choreography, and decent special effects (tho’ I do think they used it too liberally.)
I’m particularly psyched that Wes Luo is making his comeback after a year hiatus to convalesce from his foot fracture. I’m mighty grateful that the show wrote in his leg injury as part of the story, cuz I do not want this boy to be jumping up and down, kicking left and right, or putting any kind of pressure on his fragile leg. Please, keep him in a wheelchair for as long as possible. As such, I can forgive that most of his scenes are done in front of a green screen and/or with a stand in.
I don’t know if I’m going to watch the latest installment of Zhong Ji Series, KO One: Re-Call (終極一班5). The joint Taiwan/China production had, so far, been a total disaster. KO One: Re-Member couldn’t strike the right balance between comedy and drama. It was either obnoxiously frivolous or depressingly heavy. I dropped it when the crying and the angst in the latter half of the show became too much. Then there was K.O. 3AN-GUO New Ultimate 2017. Sigh… Fancy special effects couldn’t hide the fact that it was a direct copy of the original, but way less adorable and whole lot more annoying.
Then again, I should give the new class a chance. Maybe it will surprise me by bringing something new to the franchise?
Zhao Li Ying and Huang Xuan did a mini movie for an online show called “Best Performance (最美表演)“, which just wowed me. There is so much feelings contained in Huang Xuan’s pause that I was in tears without even realizing. The last time it happened to me was the piano scene between Ady An and Van Ness Wu in Autumn’s Concerto (下一站，幸福).
Other mini movies from “Best Performance”:
In my previous post, I mentioned that I tend to identify with the bad guys in wuxia genre. Dongfang Bubai, played by Brigitte Lin, in Swordsman II (笑傲江湖之東方不敗) (1992) is my favorite fictional villain of all time. She is also the first transgender character I ever met, which made her story arc all the more riveting.
When he first appeared on screen, he was the Big Boss Villain that everybody in Jianghu wanted to annihilate.
Handsome guy, no?
He had a little secret (actually it was huge) that only his concubine suspected…
He castrated himself so he could learn the martial arts of Sunflower Manual. (No sacrifice for world domination is too much.) Which sort of explained why he started dressing up like a woman.
Before there was the righteous Justice Pao (包青天) (1993) or the cunning Sima Yi in The Advisors Alliance (军师联盟) (2017), there was The Legend of Liu Bowen (劉伯溫傳奇) (1992). Liu Bowen was one of the founding members of Ming Dynasty, who was wise enough to retire before the newly crowned Emperor began to prune his court by killing the founding members. His retirement gift from the Emperor was a sword that grant him the authority to investigate and execute bad guys he encountered during his cross country sightseeing.
Liu Bowen’s smiling face, his wisdom, and his fortitude left such a strong impression on my young mind that I continued to associate the actor Zhang Fu Jian to that character. To me, his face is synonymous to warmth and safety of a father figure. As long as he’s around, everything is going to be A-OK.
Dramas that incorporated Buddhist ideology have a special place in my heart, especially when they touched upon the concept of “渡 (du / save)” and “轮回 (lun hui / reincarnation).” In one episode of The Ferry Man (灵魂摆渡), Zhao Li and the gang went to a village where many residents died of unnaturally causes. After seeing the spirits trapped in an unending torment, Zhao Li tried to alleviate their sufferings by reciting Buddhist scriptures (du). For a brief moment, he forgot he was a Ferry Man, and he unconsciously act the way he was when he was alive, a devoted Buddhist monk who tried to save others from spiritual agony. Although he didn’t succeed because of what he was, his single-minded sincerity brought tears to my eyes. Compare to the ferry man’s tangential relation to Buddhism, Faithful to Buddha, Faithful to You (不负如来不负卿) has very strong Buddhist presence. It contains no supernatural element to soften the message and can be preachy at times.
I kept watching because the teenage monk is super cute. I kept watching because of the taboo love and the mystery of why she time traveled to that period.
My obsession with Buddhism related romance dramas started with Continued Fate of Love (再世情緣) (1992). The drama began with a spoiled princess harassing a handsome monk. We later discovered that their connection was more than skin deep. In their past life, they were lovers but their love was renounced by everyone. Simply because she was a beautiful gentle lady. And him, a disfigure hunchback outcast who was fortunate to be saved by her and nursed back to life. When their love came to light, people accused him of being an ungrateful, ugly beggar who abused the lady’s kindness. Self-conscious and ashamed, he cut off his tie with her and became a monk. But her love for him was true and she died waiting for him. Reincarnated centuries later, they picked up where they left off. While appearance was no longer their obstacle, other factors continued to prevent them from being together.
Their opening theme song was selected at every karaoke gatherings.